Tess Pierce and Derek Sweet
To explore the intersection of magic, imagination, and place as a buttress against continued disenchantment furthered by an over reliance on rational thought, we turn to the (re)enchanted rhetoric of Starhawk, an eco-feminist peace activist and witch, to analyze the House on the Rock. We focused on the ways in which some rhetorical spaces challenge the postmodern idea of the disenchanting overemphasis on moral perfection, logic, and technological rationalization. Intertwined with cultural and political institutions, disenchanted rhetoric ensnares individuals in stultified existence that eliminates diversity, reifies hierarchy, dismisses creativity, and limits individuality. In positioning the House on the Rock as a rhetorical text we suggest that liminal spaces liberate individuals from the fetters of societal expectations, hierarchies, and institutions, offer a safe vantage point by which to examine conflicting viewpoints, and ultimately blur the distinction between entrenched understandings and new ways of knowing and seeing.
PDFShare this article
Arts and Social Sciences Journal received 1413 citations as per Google Scholar report
